SCCR 31

December 7 to December 11, 2015 WIPO’s Page for the Meeting KEI intervention on definition of broadcasting SCCR 31 Chair’s Conclusion SCCR 31 Chair’s proposal for future work and conclusions SCCR 31 Check out the Text for Broadcasting & Cablecasting… Continue Reading

SCCR 31 Chair’s Conclusion

Chair’s Conclusions

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MICHELE WOODS: Standing Committee on Copyright and Related Rights, 31st session, Geneva, December 7 to 11, 2015. Summary by the Chair.

Agenda item 1. Opening of the session. The 31st session of the Standing Committee on Copyright and Related Rights SCCR or Committee was opened by Mr. Francis Gurry, Director General who welcomed the participants and opened agenda item 2.
Ms. Michele Woods, WIPO, acted as secretary.

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SCCR 31 KEI Statement on Droit de Suite/Resale Rights

Day 5 of SCCR 31, December 11, 2015

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Thank you Mr Chair.

We welcome the proposal tabled by Senegal and the Congo to include the droit de suite, the artist resale right, in this Committee’s agenda for future work.

I would like to refer to the Directive mentioned by the Commission, Directive 2001/84/EC which came into force on 1 January 2006:

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SCCR 31 KEI Statements on Legal Deposit and on Lending

Topic 3 is Legal Deposit.

KEI ‘s question is the following: should these designated deposit systems –national archives or libraries– be mandated or encouraged as I believe it is described in the US principles)?

We’re not even sure this is a copyright issue and to what extent this is essential for libraries.

However, as the IFLA Statement underlined, Legal deposit was the original limitation on copyright, embedded in the Statute of Anne and we believe it could be discussed in the form of a model law intended to ensure the preservation of works at a national level.

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SCCR 31 KEI Statement on Right of Reproduction and Safeguarding copies

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Knowledge Ecology International (KEI) is and has been supportive of the Committee’s work on access and preservation of knowledge which is important for everyone and every country.

Preservation and safeguarding copies of works is to some degree a global public good. We all want and need works to be preserved, and copyright and reproduction rights coupled with limitations and exceptions are essential.

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